26 Screenplays

After much paperwork and emailing, the book, 26 Short Screenplays for Independent Filmmakers, is available on Amazon.com.

This should make for much easier for ordering.

Here is the link.

The purchasing links on the website will be updated with the Amazon listing shortly.

Thanks for your support!

In an effort to market the book, I have this reluctance to post chapter samples or other pieces of content for free on the website. Because the book is centered around a generous Creative Commons license, the contents are very close to public domain. Because of this, I live in the fear that making electronic versions available for free will cut into some of the book revenue.

However, the concepts behind the book, the idea and the structure of it are adaptable to a variety of scripts. With that in mind, I plan to spend 2010 writing and publishing (for free) 26 Fake Trailer screenplays on the website. These scripts use the format of the book and give people an idea of what to expect for their $26.00.

I am posting these on the 26 Screenplays message board in the Fake Trailer section. The first one – The Exploitation Film Trailer – is up now and can be downloaded here.

When all 26 of these are completed, they will be collected into a free eBook available on the site. This eBook should give people an idea of what they’re getting into when they buy the book.

One of the whole idea about Creative Commons or other alternatives to traditional copyright is that people assume they don’t make money.

Because they don’t.

Not directly, that is.

To make money, there needs to be a alternative source of income that is reinforced by the internet.

Take for example Sita Sings the Blues and Rip: A Remix Manifesto. Both of these films are available from their creators for free on the internet.

Both of these websites have stores that offer T-shirts, DVDs, and other accompanying products. The films also allow people to contact the directors for public appearances or speaking engagements. Through merchandise and speaking fees, the filmmakers are able to generate some income off of the films.

It is important to note that neither of these directors are pursuing the traditional Hollywood filmmaker career. They are blazing their own artistic trails. For them, money was not the goal of the project. The idea was to entertain or to convey a message, not primarily to make money. As a creator, it is up to you to decide why you are making your film. Is it for experience, fame, or money?